Tuesday, June 10, 2008

The Swelter

A couple of days ago, I was down the shore visiting my father. We had this lovely weather for three days. Seventy degrees, a nice ocean breeze blowing inland. It was so beautiful that I took a bike ride to celebrate. A nice long one. Ten miles or so. Late Saturday night, the swelter blew in. I woke up in the middle of the night sticking to my sheets. The air had gone still and the ceiling fan wasn't doing a thing to stir it up. I spent the rest of the night rolling over and over, looking for the comfortable sleeping position. Around eight, I finally gave up on sleep.

Summer is officially here. Not in an astrological sense, of course--solstice is still a couple of weeks off--but damn the stars, the sweltering heat outside confirms it. My insomnia confirms it. With it, all of my productivity has completely evaporated. Hell, I'm easily distracted in the best of weather. In heat like this, I can barely put together two coherent sentences without staring off into the distance and wondering how on earth I'm going to get out of here. Seriously, it's taking multiple cups of coffee, a mind-focusing playlist, and 1000 BTUs of air conditioning just to finish this paragraph.

Still, I've been keeping busy. As the semester came to an end, I slowly started gathering all of the books I wanted to read last year, but couldn't, since I was reading other books for classes. Over the course of a couple of months, what started as one or two books I wanted to read has grown to a stack of books up to my hips, which I can't possibly hope to finish before the year's out, let alone the summer (one of my students this semester told me he reads a book a day during the summer...I'm lucky if I can finish one in a week). I'm whittling my way through it, hoping I'll manage to make at least a dent before I have to start teaching in August. I just finished reading The Anchor Book of New American Short Stories, an excellent and eclectic collection edited by my chair, Ben Marcus. Though not everything in it is really my cup of tea, there was not a single story that didn't grab me and keep my attention all the way through. Currently I'm reading Paul LaFarge's Haussmann, which is a fun read and full of all sorts of nerdy references about Paris.

In addition, I took a position as one of the reading staff for Columbia: A Journal of Literature and Art, which is Columbia's journal of literature. And art. I've basically been reading slush, which is the unsolicited manuscripts the journal receives from various aspiring writers. People like me, essentially, who aren't well-known enough that magazines ask for their work. Some of the stories are really excellent, but for the most part the stuff we read is really awful. Actually, awful isn't the word. Boring is the word. Earlie this year, Stephen King published an essay titled "What Ails the Short Story," which basically sums up my feelings while I read slush. The whole article is here, but the part that I'm thinking of goes like this:

Last year, I read scores of stories that felt ... not quite dead on the page, I won’t go that far, but airless, somehow, and self-referring. These stories felt show-offy rather than entertaining, self-important rather than interesting, guarded and self-conscious rather than gloriously open, and worst of all, written for editors and teachers rather than for readers.


It's the last one that keeps getting me. I think ninety percent of the stories I've rejected, it was because they felt like the author was playing it too safe. They're not bad stories, exactly--in fact, some have been absolutely functional pieces--but they don't do anything to define their own space in the literary canon. Either the author's voice is too weak to drown out the rest of the world and induce (as Ben Marcus would have it) the literary hallucination that makes us feel really immersed in a good story, or the subject is too uninteresting to keep me enthralled, but the end result is the same. A story that's easy to put down and forget about. The problems these stories have are, I should say, problems I see in my own work. Timidness. Over-explanation. An overly soft touch. It comes from wanting to be liked. To seem nice. Pleasant.

More and more as I read, both in my every day reading and my slush reading, I find myself looking for stories that are just slightly flawed. Not so badly that they can't keep it together, but just enough that what I'm looking at doesn't feel too constructed by human hands. I look for the glorious messes, the stories where I can see that the author isn't entirely in control but is reaching a little outside of their own grasp. These are the stories that grab my attention and keep it. The ones I want to publish right away before anyone else gets the privilege.

And that's about it for now. I'm planning to spend the summer writing, and hopefully you'll see this blog updated more regularly. I'm a little sad I missed out on the primary season, but really, did the country need another uninformed political blogger? I didn't think so, either. All the same, go Obama, and that's the last I'll say on the subject.